Jane Friedman ~ To Succeed at Your Art, Know How to Play Well in Business

In my early days as an acquisitions editor for F+W Media, I found this quote by David M. Ogilvy:

“In the modern world of business, it is useless to be a creative original thinker unless you can also sell what you create. Management cannot be expected to recognize a good idea unless it is presented to them by a good salesman.”

Up until the time I read this quote, I had primarily thought of myself as one of those creative-artistic stereotypes who disdained the numbers and focused on aesthetics, and “art for art’s sake.”

Frankly, that became boring fast.

What became more interesting was: How can I create something that is exciting to me and other people? And like Ogilvy says, unless you learn how to speak the language of upper management (or the gatekeepers), you won’t get far with your ideas. You can speak one language to creative people, but you need to frame things differently for people who make financial decisions. E.g., when you walk into your bank and ask for a loan to fund your wonderful idea, it’s always in relation to making a profit (for you and the bank).
Same thing in publishing when you approach an editor or agent. The writers who succeed fastest in selling a project are the ones who can get in this business model mindset—not necessarily the writers who are most talented.

At F+W, I’m now in the process of building a spring forecast that estimates how we think we will perform this year against our original budget. It makes you think hard about what you’re doing, why you’re doing it, and how to change what you’re doing to produce better results next time. Without such an evaluation, how can you be pushed to your fullest and most creative extent? As Robert Frost once said about writing verse, “you need to have a net.”

Put another way: If you’re rejected continually, do you think of a better way to present your business case, or do you assume that people have shunned art, or not really seen your brilliant talent? Most likely, people are not shunning art or talent. They are shunning what hasn’t been presented to them in a compelling or beneficial way. You have to know what your audience responds to.

Fortunately, writers who know how to put themselves in the shoes of another—who are excellent at that thing called ‘empathy’—should be able to recast, reframe, revise their ideas, so they make sense to anyone, no matter what their mindset. Use your imagination. What does the other person want to hear?

Remember, people usually enjoy saying yes. Even better, they enjoy delivering an excited, definitive, “Yes!”

Give them a great reason to say it.

(From Jane Friedman’s Blog, “There are No Rules” at Writers Digest.com)



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